引水工程选择某地,原因是什么?

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问题:

引水工程选择某地,原因是什么?

考点:地球科学地理学地理学题库
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Passage One

When Dance Speaks the Unspoken and No Language Is Required
当舞蹈说出没有说出的话,就无需语言了
A complete dancer today, is well trained in more than one discipline. The European dance scene has seen a rebirth of the influence of Spanish dance with the fusion of Flamenco and Classical Spanish Dance with other styles. The excitements of these fusions are very present in the Bay Area, which is America’s hotbed of Flamenco.
This heat wave of creation, arrived last summer in Walnut Creek with the premiere concert season of Carolina Lugo’s Brisas de Espa—a Flamenco Dance Company. Carolina’s company not only presents the powerful intense energy of solo flamenco but the grace and joy of classical dances. She herself was trained in classical Spanish dance, which is a world apart from the introverted nature of flamenco, with its familiar roots of the earth. What ballet gives to both her traditions, is the physical strength of movement that seeks light and takes to the air. Perhaps, where these very different traditions flow within her blood we have the true creative force of Ms. Lugo’s work. Each tradition is like a river joining to form an even more powerful force with its own life. During a rehearsal in preparation for Brisas appearance with the Eagles, Clint Black, and Bruce Hornsby at the benefit concert for Tony La Russa’s Animal Rescue Foundation, Carolina explained her intense passion for dance. When a dancer is on stage, it goes without saying, they must be one with the music. Without this connection to the music, movement, and yourself, a dancer is only counting steps and performing routines. The heart of the dancer’s work is to embrace the audience with the depth of our lives and the fiery sensuality of dancing. The magic of performing is for the dancers and the audience to experience our fierce pride, love, happiness and tears. The art of Flamenco is the completeness of being, which the Gypsies of
Spain refer to as "duende", the possession of the sole. This quality, when it present, casts a spell over the audience and everyone becomes involved.
The gift of the modern age is that with the speed of travel and communications we are able to emerge in the changes of the world’s cultures. Intemational artist Manuel Manolo Betanzos will be returning from a world tour for a month of performances and dance workshops with the company. Carolina believes that Manolo’s fused style of dance makes him one of Spain’s best dancers. He was trained in the earthy traditions of flamenco and the elegance of classical Spanish dance by many of the greatest maestros in Spain. His commanding presence on stage last summer earned him the admiration of local dance fans. Pepe Haro also from Spain will join the company as guest guitarist. His playing and musical arrangements bring power to every chord, shading and singing melodic line and above all, a rich rhythmic pulse.
Exploring the emotions and feelings of flamenco has been a profound journey for Carolina. She was recently awarded a grand from the Diablo Regional Arts Association to further her own exploration of dance fusion and will collaborate for this year’s performance with Brazilian Samba Queen, Katia Vaz. Carolina will present the World Premier of Dance Without Borders (Bailes Sin Fronteras). She promises that this work will be a moment, when dance speaks the unspoken and no language is required, only the passion to dance free of limitations. Both Spanish and Brazilian music and dance are diverse and represent a vast m lange of cultural similarities and differences. The emotions of life are the fundamental pieces of both dance traditions. Carofina and Katia, will be joined by Carolina Acea, daughter of Carolina an American original whose style has been influenced by both traditions. The music will be sung both in Spanish and Portuguese by Roberto Zamora and Patricia Velasquez. Carolina explains that the artistic essence of both Flamenco and Samba is their expression of a gamut of feelings about life, embodied with an attitude.

The author thinks that flamenco and classical Spanish dances______.

A.are of an introverted and extroverted nature respectively

B.are of different origins

C.are totally different

D.have learned a lot from ballet

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发挥创造性,离不开求异思维。所谓求异思维,就是指注重已知与未知之间的矛盾,揭示现象与本质问的差别。它要求对公认为完美无缺的定论持怀疑和批评态度,富于挑战性地对待传统和习惯的思维模式。正如李四光所说:“不怀疑不能见真理。” 这段话主要支持了这样一个论点,即求异思维( )。

A.是对已知的矛盾进行揭示

B.是富有怀疑和批评态度的思维模式

C.是李四光所用过的思维方式

D.是一种创新的思维方式

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急性肺脓肿病原体最主要侵入途径( )

A.败血症
B.皮肤感染
C.经口、鼻咽腔吸入
D.金黄色葡萄球菌肺炎
E.以上均不对

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收款机钱柜键锁在其3个位置中的任何一个位置上都可以拔去键锁钥匙。

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B县人民法院受理甲诉乙名誉侵权纠纷一案,作出如下判决:乙须在判决生效后1个月内赔偿甲3万元,并在《A市日报》上登报赔礼道歉。乙不服,提起上诉。A市中级人民法院维持原判。判决送达后,乙支付了3万元给甲,但是就是不赔礼道歉。甲向法院申请强制执行,法院也多次催促乙履行,但乙拒绝。请回答以下问题:

二审法院对上诉案件,在什么情况下可以不开庭审理

A.认为一审法院审理正确的

B.上诉人请求不开庭审理的

C.一审法院提出请求,二审法院审查该请求认为不需要开庭审理的

D.经过阅卷和调查,询问当事人,在事实核对清楚后,合议庭认为不需要开庭审理的

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