在用于项目经济评价的现金流量表中,属于现金流出范围的有( )。 A.固定资产投资

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问题:

在用于项目经济评价的现金流量表中,属于现金流出范围的有( )。

A.固定资产投资

B.固定资产折旧

C.流动资金

D.应付款项

E.经济成本

考点:注册咨询工程师项目决策分析与评价项目决策分析与评价
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比同时是2、3、5的最大两位倍数多1的数是______.

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下列物态变化的事例中,正确的是:[ ]

A.电冰箱冷冻室内出现白色的霜,这是凝固现象    

B. 夏天荫凉地方的石头比较湿润,这是液化现象

C. 舞台上用干冰制作"云雾",这是汽化现象

D. 衣柜中的樟脑丸,过一段时间变小或消失,这是汽化现象

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举例说明形式文化区与职能文化区的区别?

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有关级别基准地价、区片或区段基准地价的相互关系,最恰当的理解是(  )。

A.包含与被包含的关系

B.概念上存在本质差别,相互间没有关系

C.基准地价的不同表现形式,既有区别又有联系

D.不符合估价规程对统一基准地价称谓的规定

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In order to understand, however imperfectly, what is meant by "face", we must take (1) of the fact that, as a race, the Chinese have a ply (2) instinct. The theatre may almost be said to be the only national amusement, and the Chinese have for theatricals a (3) like that of the Englishman (4) athletics, or the Spaniard for bull-fights. Upon very slight provocation, any Chinese regards himself in the (5) of an actor in a drama. He throws himself into theatrical attitudes, performs the salaam, falls upon his knees, prostrates himself and strikes his head upon the earth, (6) circumstances which to an Occidental seem to make such actions superfluous, (7) to say ridiculous. A Chinese thinks in theatrical terms. When roused in self-defense he addresses two or three persons as if they were a multitude. He exclaims: "I say this in the presence of You, and You, and You, who are all here present. " If his troubles are adjusted he (8) of himself as having "got off the stage" with credit, and if they are not adjusted he finds no way to "retire from the stage". All this, (9) it clearly understood, has nothing to do with realities. The question is never of facts, but always of (10) . If a fine speech has been (11) at the proper time and in the proper way, the requirement of the play is met. We are not to go behind the scenes, for that would (12) all the plays in the world. Properly to execute acts like these in all the complex relations of life, is to have "face". To fail them, to ignore them, to be thwarted in the performance of them, this is to " (13) face". Once rightly apprehended, "face" will be found to be in itself a (14) to the combination lock of many of the most important characteristics of the Chinese.

It should be added that the principles which regulate "face" and its attainment are often wholly (15) the intellectual apprehension of the Occidental, who is constantly forgetting the theatrical element, and wandering (16) into the irrelevant regions of fact. To him it often seems that Chinese "face" is not unlike the South Sea Island taboo, a force of undeniable potency, but capricious, and not reducible to rule, deserving only to be abolished and replaced by common sense. At this point Chinese and Occidentals must agree to (17) , for they can never be brought to view the same things in the same light. In the adjustment of the incessant quarrels which distract every hamlet, it is necessary for the "peace-talkers" to take a careful account of the (18) of "face" as European statesmen once did of the balance of power. The object in such cases is not the execution of even-handed justice, which, even if theoretically desirable, seldom (19) to an Oriental as a possibility, but such an arrangement as will distribute to all concerned "face" in due proportions. The same principle often applies in the settlement of lawsuits, a very large percentage of which end in what may be called a (20) game.

9()

A.be

B.is

C.was

D.were

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