治疗风热、肝热之目赤肿痛的首选药组是() A.菊花、麻黄 B.薄荷、柴胡 C

题型:单项选择题 A1型题

问题:

治疗风热、肝热之目赤肿痛的首选药组是()

A.菊花、麻黄

B.薄荷、柴胡

C.桑叶、菊花

D.蝉蜕、牛蒡子

E.蝉蜕、柴胡

考点:主管中药师解表药解表药题库
题型:单项选择题 A1型题


Passage One

When Dance Speaks the Unspoken and No Language Is Required
当舞蹈说出没有说出的话,就无需语言了
A complete dancer today, is well trained in more than one discipline. The European dance scene has seen a rebirth of the influence of Spanish dance with the fusion of Flamenco and Classical Spanish Dance with other styles. The excitements of these fusions are very present in the Bay Area, which is America’s hotbed of Flamenco.
This heat wave of creation, arrived last summer in Walnut Creek with the premiere concert season of Carolina Lugo’s Brisas de Espa—a Flamenco Dance Company. Carolina’s company not only presents the powerful intense energy of solo flamenco but the grace and joy of classical dances. She herself was trained in classical Spanish dance, which is a world apart from the introverted nature of flamenco, with its familiar roots of the earth. What ballet gives to both her traditions, is the physical strength of movement that seeks light and takes to the air. Perhaps, where these very different traditions flow within her blood we have the true creative force of Ms. Lugo’s work. Each tradition is like a river joining to form an even more powerful force with its own life. During a rehearsal in preparation for Brisas appearance with the Eagles, Clint Black, and Bruce Hornsby at the benefit concert for Tony La Russa’s Animal Rescue Foundation, Carolina explained her intense passion for dance. When a dancer is on stage, it goes without saying, they must be one with the music. Without this connection to the music, movement, and yourself, a dancer is only counting steps and performing routines. The heart of the dancer’s work is to embrace the audience with the depth of our lives and the fiery sensuality of dancing. The magic of performing is for the dancers and the audience to experience our fierce pride, love, happiness and tears. The art of Flamenco is the completeness of being, which the Gypsies of
Spain refer to as "duende", the possession of the sole. This quality, when it present, casts a spell over the audience and everyone becomes involved.
The gift of the modern age is that with the speed of travel and communications we are able to emerge in the changes of the world’s cultures. Intemational artist Manuel Manolo Betanzos will be returning from a world tour for a month of performances and dance workshops with the company. Carolina believes that Manolo’s fused style of dance makes him one of Spain’s best dancers. He was trained in the earthy traditions of flamenco and the elegance of classical Spanish dance by many of the greatest maestros in Spain. His commanding presence on stage last summer earned him the admiration of local dance fans. Pepe Haro also from Spain will join the company as guest guitarist. His playing and musical arrangements bring power to every chord, shading and singing melodic line and above all, a rich rhythmic pulse.
Exploring the emotions and feelings of flamenco has been a profound journey for Carolina. She was recently awarded a grand from the Diablo Regional Arts Association to further her own exploration of dance fusion and will collaborate for this year’s performance with Brazilian Samba Queen, Katia Vaz. Carolina will present the World Premier of Dance Without Borders (Bailes Sin Fronteras). She promises that this work will be a moment, when dance speaks the unspoken and no language is required, only the passion to dance free of limitations. Both Spanish and Brazilian music and dance are diverse and represent a vast m lange of cultural similarities and differences. The emotions of life are the fundamental pieces of both dance traditions. Carofina and Katia, will be joined by Carolina Acea, daughter of Carolina an American original whose style has been influenced by both traditions. The music will be sung both in Spanish and Portuguese by Roberto Zamora and Patricia Velasquez. Carolina explains that the artistic essence of both Flamenco and Samba is their expression of a gamut of feelings about life, embodied with an attitude.

The performances by Carolina’s company are described as______.

A.a mixture of different dances

B.a creation on the dance scene

C.a rebirth of mixed disciplines

D.a hotbed of Flamenco

题型:单项选择题 A1型题

(2004年)《保护文学艺术作品伯尔尼公约》是著作权领域第一个世界性多边国际条约,也是至今影响最大的著作权公约。下列关于该公约的说法哪一个是不正确的?

A.该公约采用自动保护原则

B.该公约不保护演绎作品

C.非成员国国民的作品在成员国首次发表可以受到公约的保护

D.该公约保护作者的经济权利

题型:单项选择题 A1型题

机械手表中的一个齿轮设计尺寸为4mm,生产过程中所允许的误差为(+0.007,-0.007)。某道工序是保证该齿轮上述设计尺寸的最后加工工序,现在需要对该工序的工序能力进行评估,通过对该齿轮产品的随机抽样,经测算,样本平均值和公差中心重合,样本标准差s=0.0027。

该工序的工序能力指数Cp为( )。

A.0.86

B.1.00

C.1.18

D.1.41

题型:单项选择题 A1型题

根据危机管理行动的内容,可以将行动评估分为()。

A、危机演练

B、危机预防

C、危机演习

D、应急实践

题型:单项选择题 A1型题

在当代中国,只有()旗帜而不是别的什么旗帜能够最大限度地团结和凝聚不同社会阶层、不同利益群体人们的智慧和力量,能够解决当代中国的前途命运问题

A、中国特色社会主义

B、中国化的马克思主义

C、毛 * * 思想

D、邓 * * 理论

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