思维反映的是( )。A.过去的经验B.过去感知过的事物的形象C.事物之间的内在联系D

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问题:

思维反映的是( )。

A.过去的经验
B.过去感知过的事物的形象
C.事物之间的内在联系
D.人的愿望

考点:心理咨询师考试基础心理学知识(二)
题型:单项选择题

农民通过辛勤的劳动,生产出粮食和各种作物,满足人们的生产和生活需要;教师为培养现代化建设的后备人才呕心沥血;画家利用自己的绘画美化着人们的生活……这说明                                                  (     )

A.每一个人都以自己的方式创造着人生的价值

B.只有农民、画家、教师等人才能创造人生价值

C.一个人的人生价值是通过他对自我需要的满足来实现的

D.只要劳动,就可以满足自我的需要,就是有价值的

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癫痫的外科手术治疗指征是什么?

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如何开展中央空调水质处理工作?

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钻石是世界上最硬的物质,其摩比硬度为()o

A.7

B.8

C.9

D.10

题型:单项选择题

In order to understand, however imperfectly, what is meant by "face", we must take (1) of the fact that, as a race, the Chinese have a ply (2) instinct. The theatre may almost be said to be the only national amusement, and the Chinese have for theatricals a (3) like that of the Englishman (4) athletics, or the Spaniard for bull-fights. Upon very slight provocation, any Chinese regards himself in the (5) of an actor in a drama. He throws himself into theatrical attitudes, performs the salaam, falls upon his knees, prostrates himself and strikes his head upon the earth, (6) circumstances which to an Occidental seem to make such actions superfluous, (7) to say ridiculous. A Chinese thinks in theatrical terms. When roused in self-defense he addresses two or three persons as if they were a multitude. He exclaims: "I say this in the presence of You, and You, and You, who are all here present. " If his troubles are adjusted he (8) of himself as having "got off the stage" with credit, and if they are not adjusted he finds no way to "retire from the stage". All this, (9) it clearly understood, has nothing to do with realities. The question is never of facts, but always of (10) . If a fine speech has been (11) at the proper time and in the proper way, the requirement of the play is met. We are not to go behind the scenes, for that would (12) all the plays in the world. Properly to execute acts like these in all the complex relations of life, is to have "face". To fail them, to ignore them, to be thwarted in the performance of them, this is to " (13) face". Once rightly apprehended, "face" will be found to be in itself a (14) to the combination lock of many of the most important characteristics of the Chinese.

It should be added that the principles which regulate "face" and its attainment are often wholly (15) the intellectual apprehension of the Occidental, who is constantly forgetting the theatrical element, and wandering (16) into the irrelevant regions of fact. To him it often seems that Chinese "face" is not unlike the South Sea Island taboo, a force of undeniable potency, but capricious, and not reducible to rule, deserving only to be abolished and replaced by common sense. At this point Chinese and Occidentals must agree to (17) , for they can never be brought to view the same things in the same light. In the adjustment of the incessant quarrels which distract every hamlet, it is necessary for the "peace-talkers" to take a careful account of the (18) of "face" as European statesmen once did of the balance of power. The object in such cases is not the execution of even-handed justice, which, even if theoretically desirable, seldom (19) to an Oriental as a possibility, but such an arrangement as will distribute to all concerned "face" in due proportions. The same principle often applies in the settlement of lawsuits, a very large percentage of which end in what may be called a (20) game.

2()

A.ego-centric

B.dramatic

C.thrifty

D.diligent

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